| Title : | In the Break: Aesthetics of the Black Radical Tradition | | Material Type: | printed text | | Authors: | Fred Moten, Author | | Publisher: | University of Minnesota | | Publication Date: | 2003 | | ISBN (or other code): | BLAMOT2003 | | Languages : | English (eng) | | Descriptors: | Black Studies
| | Keywords: | Black Radical Tradition, Black Studies, Performance | | Abstract: | Fred Moten investigates the provocative connections between jazz, sexual identity, and radical black politics. He focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance—culture, politics, sexuality, identity, and blackness itself—is improvisation.
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In the Break: Aesthetics of the Black Radical Tradition [printed text] / Fred Moten, Author . - [S.l.] : University of Minnesota, 2003. ISSN : BLAMOT2003 Languages : English ( eng) | Descriptors: | Black Studies
| | Keywords: | Black Radical Tradition, Black Studies, Performance | | Abstract: | Fred Moten investigates the provocative connections between jazz, sexual identity, and radical black politics. He focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance—culture, politics, sexuality, identity, and blackness itself—is improvisation.
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In the Break: Aesthetics of the Black Radical Tradition / Fred Moten
